Showing 1–10 of 18 results

  • Essay

    June Canedo de Souza’s Drawings as Vertebrae

    For June Canedo de Souza, drawing has always been a solitary, private practice, albeit a regular one. She admits to compiling and saving hundreds of drawings over the years, which she makes quickly and intuitively in the studio.…

  • Essay

    Nilou Kazemzadeh: How to Remain Tender, How to Find Your Roots

    Kazemzadeh’s debut solo exhibition at Hamiltonian Artists, I Witnessed the Garden Bear Fruit, disarms the social constructs of difference and indifference which seem to plague so much of the contemporary moment, and works to erase it gently and thoughtfully with her hands.…

  • Essay

    Neha Misra: Portals of Transformation

    At a moment that can be seen as both a warning and a call to deeper awareness, Misra activates the gallery as a hub for conversation, inviting reflection, imagination, and dialogue around how communities, ideas, and practices can come together to respond to the climate crisis.…

  • Essay

    A World Abandoned

    It is not difficult to imagine a world abandoned, for we have willingly abandoned so much already: our responsibility to nature, to higher education, and to public health; the legal and human rights of those fleeing oppression; vigilance against fascism and genocide; collective desire to hold the rich and powerful to account.…

  • Essay

    Playtime in the Exclusion Zone

    Ilin's previous projects have often played with the ludic overlap between the rules of games and the regulations of institutions. In this exhibition, the instructions offer cold comfort, exemplifying the distancing of bureaucratic language in the face of imminent danger. Still, there is something playful at play.…

  • Essay

    Isabella Whitfield: Best Regards,

    The ensemble of artworks appear dormant—that is, until given life through sight. The objects Whitfield chooses to reference and render by way of casting and papermaking invite closer inspection, seducing the mind into a series of projected phantasms.…

  • Essay

    Abed Elmajid Shalabi: In the Distance 

    For Shalabi, the exhibition considers a post-oil future of the Arab world, a time at which we have yet to arrive. This anticipation is only heightened by his placement of each piece at an expanse from each other, creating a cohesive installation that hinges on distance, literally and figuratively. …

  • Essay

    The Irony of Capacity: A Dark, Black Comedy

    Words fail, and then the fun begins. In his solo show at Hamiltonian Artists, Kyrae Dawaun tightly weaves concept, narrative, craft, and form into a river-of-consciousness whole, the effect of which is at once exhilarating and deeply moving.…

  • Essay

    Ara Koh: Grounding; Grounded; Ground

    Though Koh’s work ostensibly has nothing to do with sign language, a chance encounter with this language of the hand can serve as a key for reading the body of new work that she presents in her solo exhibition Grounding; Grounded; Ground at Hamiltonian Artists. Indeed, Koh leaves her fingerprint, quite literally in the surfaces of many of her works.…