Showing all 18 results

  • Essay

    Cecilia Kim: when the body becomes dust and settles around you

    Absence serves as the doorway that molds grief into the very foundation of home; it is a gateway for processing emotions. We are called to walk through it by entering the doors of Hamiltonian Artists and invited to a four-way conversation between video artist Cecilia Kim’s friends in her solo exhibition when the body becomes dust and settles around you (2023).…

  • Essay

    Matthew Russo: Practiced Play

    Do we need to practice playing? Are we still too often stressed with work? Even in our free time, it seems we chase outcomes, simulate, or code for play instead of just playing. A brief instructional wall text at Hamiltonian Artists in Washington, DC, welcomes viewers to Practiced Play, the first interactive exhibition created by Matthew Russo, who graduated with an MFA from American University in 2020.…

  • Essay

    María Luz Bravo: Glimpse, Gathered

    Good artists are always foreigners. I don’t mean in regards to the soil they come from; rather in the ways in which they relate to reality. This is especially evident in the case of Mexico-born artist María Luz Bravo, whose debut solo exhibition in Washington, DC, titled Glimpse, Gathered, at Hamiltonian Artists, focuses on the uncanny nature of everyday objects through her alien gaze.…

  • Essay

    Mining the Mines

    Stephanie Garon is uniquely prepared to mine the residue and history of a spurious “gold rush,” in northern Maine, of all places. I’ve been to Maine every summer of my octogenarian life and until two years ago I had no idea that mining was a factor in the state’s environmental history.…

  • Essay

    More than This: The Art of Jason Bulluck

    Jason Bulluck’s exhibition and all the work included under its title Let’s Believe Brief Utopias proceed from the foundational premise that the privileged site of art—art’s placement in the gallery, art’s here-and-now—is dispersed. The show’s manifestations in many forms are distributed through time, space, motion, and exchange—here, there, everywhere, and nowhere—all at once.…

  • Essay

    Amber Eve Anderson’s Objects in a Web of Relations

    Why do we buy certain things? Why do we save certain things? Amber Eve Anderson asked me these questions during our first conversation, leading us to further inquiries about commodity logistics and how we ascribe value to objects once we acquire them.…

  • Essay

    Non-Site, Non-Report: Joey Enríquez’s ruined on a riverbank

    The site-specific installation ruined on a riverbank (2022), Joey Enríquez’s solo exhibition which ran last spring at Hamiltonian Artists, used found bricks, construction detritus, plaster brick casts, various types of earth, and historical real estate development maps to evoke the layered and fragmented histories of construction, labor, and place-making, in the District.…

  • Essay

    The Heightened Sense of Belonging

    There is an odd familiarity in the objects that Washington-based artist Madeline Stratton uses in her sculptures and reliefs. Items like a door knocker, a hinge, a bracket, or a screen door all appear as components in the abstract artworks that populate her exhibition at Hamiltonian Artists titled We Were Here (2022).…